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an t​-​Each​-​Iarainn” [The Iron Horse]

by Hamish Napier

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A Cry from Craigellachie This is an excerpt from a poem from 1864 by Professor Shairp of St Andrews, written after he journeyed on ‘the iron horse’, for the first time ,on the newly opened Highland Railway from Perth to Inverness . It’s called “A Cry from Craigellachie ”. Stand fast Craigellachie," is the war-cry of the Clan Grant, a very prominent clan in Strathspey. Land of bens and glens and corries, 
 Headlong rivers, ocean floods!
 Have we lived to see this outrage 
 On your haughty solitudes? Cherished names! how disenchanted! Hark the railway porter roar— ‘Ho! Blair Athole! Dalna-spidal! Ho! Dalwhinnie! Aviemore!’ Grisly, storm-resounding Badenoch, With grey boulders scattered o’er, And cairns of forgotten battles, Is a wilderness, no more. Ha! we start the ancient stillness, Swinging down the long incline Over Spey, by Rothiemurchus’ Forests of primeval pine. ‘Boar of Badenoch,’ ‘Sow of Athole,’ Hill by hill behind me cast, Rock and craig and moorland reeling, Scarce Craig-Ellachie stands fast. Dark Glen More and cloven Glen Feshie, Loud along these desolate tracts Hear the shrieking whistle louder Than their headlong cataracts. Northward still the iron horses! Naught may stay their destined path Till they snort by Pentland surges, Stun the cliffs of far Cape Wrath.
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POEM: Early Morning Train to Inverness Magi Gibson from time to time snow sprinkles from the sky the way flour sifts from a baker’s fist grey steel pylons pose like giant girls playing ropes gorse, dark bottle green, bristles in scruffy tufts on a badly shaven chin of hill a woman in a suit tap-taps at her laptop
staring at the screen scots pines turn their Presbyterian backs on a stream that pishes like a drunk a grey cloud weeps over patches of snow pooled like milk in nooks and crannies a lochan slate-grey bides her time, swollen-bellied in February, her waters will break in March a woman paints her nails, the air
grows thick with the reek of varnish Slochd summit snow, a crumpled duvet chucked on the chittering land Look! Look! A red stag with forked lightning antlers poses for a child’s pointing finger a mobile phone skirls
Scotland the Brave between peaks that rise like stony breasts a yellow lorry carrying eggs, races the train as packed like battery hens we hurtle on towards breakfast and Inverness
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Sleeping Compartment by Norman MacCaig I don't like this, being carried sideways
 through the night. I feel wrong and helpless - like
 a timber broadside in a fast stream.

 Such a way of moving my suit
 that odd snake the sidewinder
 in Arizona: but not me in Perthshire.

 I feel at right angles to everything,
 a crossgrain in existence. - It scrapes
 the top of my head and my footsoles.

 To forget outside is no help either -
 then I become a blockage
 in the long gut of the train.

 I try to think I'm an Alice in Wonderland
 mountaineer bivouacked
 on a ledge five feet high.

 It's no good. I go sidelong.
 I rock sideways - I draw in my feet
 To let Aviemore pass.
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I Leave Tonight From Euston By A.M. Lawrence The poem I leave tonight from Euston was written by a lady called A M Lawrence who lived at Burgh on Sands, Cumbria in the 1950’s, and who spent a good deal of her childhood at Nethy Bridge. The poem was mentioned in an article by the late, great, Irvine Butterfield in one of the Scottish Mountaineer magazines about Lost Bothies in the Cairngorms. There is a tradition that a copy of the poem is kept on the door at Ryvoan." I shall leave tonight from Euston By the seven-thirty train, And from Perth in the early morning I shall see the hills again. From the top of Ben Macdhui I shall watch the gathering storm, And see the crisp snow lying At the back of Cairngorm. I shall feel the mist from Bhrotain and the pass by Lairig Ghru To look on dark Loch Einich From the heights of Sgoran Dubh. From the broken Barns of Bynack I shall see the sunrise gleam On the forehead of Ben Rinnes And Strathspey awake from dream. And again in the dusk of evening I shall find once more alone The dark water of the Green Loch, And the pass beyond Ryvoan. For tonight I leave from Euston And leave the world behind; Who has the hills as a lover, Will find them wondrous kind.
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about

During lockdown four people privately commissioned me to write music for loved ones – a great honour and hugely appreciated musical employment at the time. At the time, I roughly recorded these for people to hear them. I felt some of these sounded as if they would have fitted on my 2nd album from 2018 called The Railway - they had that kind of rhythmic, driving feel. I knew I ought to spruce up these rough recordings and release them in a collection.

In a way, this Iron Horse is about pushing through the great difficulties of the international pandemics of 2020-2022. All four new compositions on the album were private tune commissions. The penultimate music track ‘Hud Chapin’ is a North East expression meaning ‘Keep Powering On’.

So here I am, five years further down the line, still laying down more tracks for The Railway. I decided to call the collection The Iron Horse - a name Highlanders sometimes used to describe the powerful steam train engines when they first came to the Highlands.

It seems like an essential extension to the The Railway album - a continuation of the journey.

I decided also to revisit four of my favourite tracks from The Railway. Two of these, Helen’s Song and The Railwayman Air are new live versions recorded on Grandma Napier’s old upright piano in my home studio with ace fiddle player Patsy Reid. These were filmed by Somhairle MacDonald, the chap who designed all my Strathspey Trilogy album covers.

You can watch the films here:

www.youtube.com/watch?v=Q41AXhxFY1U

www.youtube.com/watch?v=VZkIrXJ79-4

I’ve taken quite an interest in poetry in the last five years or so. I haven’t actually come up with my own railway poem for this particular release, but that’s okay. I’ve discovered some real beauties by leading Scottish poets such as Magi Dickson, Norman MacCaig, Kenneth Steven and an excerpt from a dramatic,nVictorian poem by a university professor written after he took the Iron Horse for the very first time in 18… up through the Highlands. I recite three myself, Kenneth does his own one and I asked my Aunty, Kirsteen Shilson, to recite Magi Gibbon’s amusing poem - well suited to her brilliant and natural comic timing.

So as you listen through to the Iron Horse, after half an hour of music played by some of my very favourite musicians, alongside poems by great Scottish poets and Black 5 steam engines recordings, there’s an epic big finale track that’s worth the wait: called the Memoirs of a Highland Railwayman, feat. Jimmy Gray at 92’

The interviews with Jimmy are by far the most engaging and interesting testimonies that I’ve had during the research phase of any of my Strathspey Trilogy albums. They were just sitting there on file, and I knew I wanted to do something special with them - maybe weave them into the suite of music I wrote especially for Jimmy.

credits

released December 14, 2023

Full Album Credits

Recorded by Hamish Napier at Cherrygrove

Edited, mixed & Mastered by Andrea Gobbi at Carrier Waves and GloWorm Recording, Glasgow.

All tracks arranged by Hamish Napier with invaluable contributions from Andrea Gobbi.

All tracks composed by Hamish Napier PRS/MCPS

Poems written by A. M. Lawrence, Norman MacCaig, Magi Gibson, Kenneth and Prof. Shairp of St. Andrews, and recited by Hamish Napier, Kirsteen Shilson and Kenneth Steven.

Photos, artwork and design by Somhairle Macdonald. with some design by Hamish Napier.


Musicians

Hamish Napier - field recordings, wooden flutes, whistles, piano, keyboards, programming, percussion and poems

Patsy Reid - fiddle and viola
Ross Ainslie - Highland pipes, border pipes and bouzouki
Steve Byrnes - acoustic guitar, electric guitar, MIDI drums & snare drum
James Lindsay - double bass and electric bass guitar
Fraser Stone - drum kit
Ewan Robertson - acoustic guitar (from The Railway album)

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Hamish Napier Grantown On Spey, UK

Hamish is a multi-instrumentalist and composer from the Scottish Highlands.

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